Winter 2012, Vol. 71, No. 4

In This Issue

Katy Siegel, Shaping the Glass, 5

Artist’s Project

Tomma Abts, Untitled, 8


Art Journal Winter 2012

Christine Mehring, Richter’s Willkür, 20

Carrie Moyer, Zero to the Bone: Louise Fishman Speaks with Carrie Moyer, 36

Elyse Speaks, The Terms of Craft and Other Means of Making: Lee Bontecou’s Hybrid Trajectory, 54

Josephine Halvorson, Shame: The One That Got Away, 72

Gregory H. Williams, Ground Control: Painting in the Work of Cosima von Bonin, 88

Luke Smythe, Pigment vs. Pixel: Painting in an Era of Light-Based Images, 104


Joshua Shannon on Hal Foster, The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha; Mechtild Widrich on Eva Badura-Triska and Hubert Klocker, eds., Vienna Actionism: Art and Upheaval in 1960s Vienna; Suzaan Boettger on Philipp Kaiser and Miwon Kwon, eds., Ends of the Earth: Land Art to 1974, and the exhibition Ends of the Earth: Land Art to 1974, Museum of Contemporary Art, Los Angeles, and Haus der Kunst, Munich, 2012–13; and Barry Schwabsky on John Roberts, The Necessity of Errors