Fall 2006, Vol. 65, No. 3

In This Issue

Patricia C. Phillips, Remediations—Re-viewing Art, 5


Frazer Ward, Alien Durations: Tehching Hsieh, 1978–99, 6

Anna Hammond, Ian Berry, Sheryl Cokelton, Sharon Corwin, Pamala Franks, katherine Hart, Wynona Lynch-McWhite, Charles Reeve, and John Stomberg, The Role of the University Art Museum and Gallery, 20

Fall 2006

Thematic Investigation: Forty Years of Video Art

Organized by Yvonne Spielmann

Sean Cubitt, Grayscale Video and the Shift to Color, 40

Yvonne Spielmann, Video: From Technology to Medium, 54

Jean Gagnon, “A demo tape on how to play video on the violin”, 70

Christine Ross, The Temporalities of Video: Extendedness Revisited, 82


Reva Wolf, Homer Simpson as Oustider Artist, or How I Learned to Accept Ambivalence (Maybe), 100


PAUL WOOD on Maria Gough, The Artist as Producer: Russion Constructivism in Revoltion, and Christina Kiar, Imagine No Possessions: The Socialist Objects of Russian Constructivism; SARAH ROGERS on Rebecca L. Stein and Ted Swedenberg, eds. Palestine, Israel, and the Politics of Popular Culture; MARIA FERNANDEZ on Brian Massumi, Parables for the Vitual: Movement, Affect, Sensation ; and IFTIKHAR DADI on Tapati Guha-Thakurtra, Monuments, Objects, Histories: Institutions of Art in Colonial and Post-Colonial India