In This Issue
Patricia C. Phillips, Remediations—Re-viewing Art, 5
Features
Frazer Ward, Alien Durations: Tehching Hsieh, 1978–99, 6
Anna Hammond, Ian Berry, Sheryl Cokelton, Sharon Corwin, Pamala Franks, katherine Hart, Wynona Lynch-McWhite, Charles Reeve, and John Stomberg, The Role of the University Art Museum and Gallery, 20
Thematic Investigation: Forty Years of Video Art
Organized by Yvonne Spielmann
Sean Cubitt, Grayscale Video and the Shift to Color, 40
Yvonne Spielmann, Video: From Technology to Medium, 54
Jean Gagnon, “A demo tape on how to play video on the violin”, 70
Christine Ross, The Temporalities of Video: Extendedness Revisited, 82
Features
Reva Wolf, Homer Simpson as Oustider Artist, or How I Learned to Accept Ambivalence (Maybe), 100
Reviews
PAUL WOOD on Maria Gough, The Artist as Producer: Russion Constructivism in Revoltion, and Christina Kiar, Imagine No Possessions: The Socialist Objects of Russian Constructivism; SARAH ROGERS on Rebecca L. Stein and Ted Swedenberg, eds. Palestine, Israel, and the Politics of Popular Culture; MARIA FERNANDEZ on Brian Massumi, Parables for the Vitual: Movement, Affect, Sensation ; and IFTIKHAR DADI on Tapati Guha-Thakurtra, Monuments, Objects, Histories: Institutions of Art in Colonial and Post-Colonial India