In This Issue
Judith F. Rodenbeck, Blindsight and Microblindness, 5
Features
Jane Blocker, Blink: The Viewer as Blind Man in Installation Art, 6
Una Chung, What. Comes. After.: An Introduction to Lin + Lam’s Unidentified Vietnam, 22
Lin + Lam, Unidentified Vietnam, 25
Kirsi Peltomäki, Affect and Spectatorial Agency: Viewing Institutional Critique in the 1970s, 36
Gordon Hughes, Game Face: Douglas Huebler and the Voiding of Photographic Portraiture, 52
Astrid Schmetterling, Archival Obsessions: Arnold Dreyblatt’s Memory Work, 70
Andrea D. Fitzpatrick, The Movement of Vulnerability: Images of Falling and September 11, 84
Reviews
Ken Allan on Cécile Whiting, Pop L.A.: Art and the City in the 1960s; Monica Amor on Nadja Rottner and Peter Weibel, eds., Gego 1957–1988: Thinking the Line, and Mari Carmen Ramírez, Catherine de Zegher, Robert Storr, and Josefina Manrique, Gego: Between Transparency and the Invisible; Godfre Leung on Alexander Alberro and Sabeth Buchmann, eds., Art after Conceptual Art, and John C. Welchman, ed., Institutional Critique and After; Derek Conrad Murray on Darby English, How to See a Work of Art in Total Darkness