Winter 2007, Vol. 66, No. 4

In This Issue

Judith F. Rodenbeck, Blindsight and Microblindness, 5


Winter 2007

Jane Blocker, Blink: The Viewer as Blind Man in Installation Art, 6

Una Chung, What. Comes. After.: An Introduction to Lin + Lam’s Unidentified Vietnam, 22

Lin + Lam, Unidentified Vietnam, 25

Kirsi Peltomäki, Affect and Spectatorial Agency: Viewing Institutional Critique in the 1970s, 36

Gordon Hughes, Game Face: Douglas Huebler and the Voiding of Photographic Portraiture, 52

Astrid Schmetterling, Archival Obsessions: Arnold Dreyblatt’s Memory Work, 70

Andrea D. Fitzpatrick, The Movement of Vulnerability: Images of Falling and September 11, 84


Ken Allan on Cécile Whiting, Pop L.A.: Art and the City in the 1960s; Monica Amor on Nadja Rottner and Peter Weibel, eds., Gego 1957­–1988: Thinking the Line, and Mari Carmen Ramírez, Catherine de Zegher, Robert Storr, and Josefina Manrique, Gego: Between Transparency and the Invisible; Godfre Leung on Alexander Alberro and Sabeth Buchmann, eds., Art after Conceptual Art, and John C. Welchman, ed., Institutional Critique and After; Derek Conrad Murray on Darby English, How to See a Work of Art in Total Darkness