Fall 2005, Vol. 64, No. 3

In This Issue

Patricia C. Phillips, Something to Talk About, 3

Artist Project

Barbara Bloom, Commemorative Stamps, Art Journal 1929–2005, 4


Fall 2005

Patricia C. Phillips, The Aesthetics of Witnessing: A Conversation with Alfredo Jaar, 6

David Levi Strauss and Daniel Joseph Martinez, Teaching After the End, 28

Thematic Investigation

Johanna Burton and Lisa Pasquariello, “Ask Somebody Else Something Else”: Analyzing the Artist Interview, 46

Gwen Allen, Against Criticism: The Artist Interview in Avalanche Magazine, 1970–76, 50

Suzanne Hudson, Robert Ryman, Retrospective, 62

Tim Griffin, Method Acting: The Artist-Interviewer Conversation, 70

Rhea Anastas, A Response, 78


Chris Gilbert, Carlos Basualdo, T. J. Demos, and Gregory Sholette, “Dark Matter into Light”: A Round-Table Discussion, 84

Ana Finel Honigman, Good Artist/Bad Artist: An Interview with Ellen Harvey, 102


Kelly Dennis on Laura Grindstaff, The Money Shot: Trash, Class, and the Making of TV Talk Shows; Monica Amor on Lynn Zelevansky, ed., Beyond Geometry: Experiments in Form, 1940s–70s, and Ann Goldstein and Lisa Mark, eds., A Minimal Future? Art as Object 1958–1968; Jon Beasley-Murray on Nelly Richard, The Insubordination of Signs: Political Change, Cultural Transformation, and Poetics of the Crisis, Nelly Richard, Masculine/Feminine: Practices of Difference(s), and Nelly Richard, Cultural Residues: Chile in Transition; Jill Dawsey on Ken Ehrlich and Brandon LaBelle, eds., Surface Tension: Problematics of Site