Summer 2004, Vol. 63, No. 2

In This Issue

Patricia C. Phillips, Questions of Influence: Influence of Questions, 3


Summer 2004

Derek Conrad Murray, Hip-Hop vs. High Art: Notes on Race as Spectacle, 4

Thematic Investigation, James Meyer and Toni RossAesthetic/Anti-Aesthetic: An Introduction, 20

Arthur C. Danto, Kalliphobia in Contemporary Art, 24

Alexander Alberro, Beauty Knows No Pain, 36

Margaret Iversen, Readymade, Found Object, Photograph, 44

Anna Dezeuze, Tactile Dematerialization, Sensory Politics: Hélio Oiticica’s Parangolés, 58


Jeanne Siegel, Eva Hesse’s Influence Today? Conversations with Three Contemporary Artists, 72


Yevgeniy Fiks, Primary Documents: A Sourcebook for Eastern and Central European Art since the 1950s, ed. Laura Hoptman and Tomáš Pospiszyl, and Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918–1991Robert Smithson: Learning from New Jersey and Elsewhere. John Peffer, The Short Century: Independence and Liberation Movements in Africa 1945–1994, ed. Okwui Enwezor. Michael Lobel, The Andy Warhol Catalogue Raisonné, Volume 1: Paintings and Sculpture 1961–1963, ed. Georg Frei and Neil Printz. Kate Mondloch, Digital Media Revisited: Theoretical and Conceptual Innovation in Digital Domains, ed. Gunnar Liestøl, Andrew Morrison, and Terje Rasmussen. Víctor Alejandro Sorell, Gary D. Keller et al., Contemporary Chicana and Chicano Art: Artists, Works, Culture, and Education.