Winter 2004, Vol. 63, No. 4

In This Issue

Patricia C. Phillips, Unsettled Imaginations, 3


Raymond Spiteri, Envisioning Surrealism in Histoire de l’œil and La femme 100 têtes, 4

Artist Project

Sze Tsung Leong, History Images, 19

Christopher Phillips, Drastic Urbanization: The Photographs of Sze Tsung Leong, 20


Winter 2004

Jeremy Braddock, Neurotic Cities: Barnes in Philadelphia, 46

Kimberly Camp, Response to Jeremy Braddock, 62

Barbara Jaffee, Jackson Pollock’s Industrial Expressionism, 68

Alison Mairi Syme, Love among the Ruins: David Cannon Dashiell’s Queer Mysteries, 80

Julia Robinson, The Sculpture of Indeterminacy: Alison Knowles’s Beans and Variations, 96

Carol Becker, Amazwi Abesifazane (Voices of Women), 116


Jill H. Casid on Camp: Queer Aesthetics and the Performing Subject, A Reader, ed. Fabio Cleto; Sylvester Okwunodu Ogbechie on Africas: The Artist and the City; A Journey and an Exhibition, and Georges Adéagbo: Archeology of Motivations; Rewriting History, ed. Silvia Eiblmayr; Kent Mitchell Minturn on Kazimir Malevich: The White Rectangle, Writings on Film, ed., Oksana Bulgakowa and Margarita Tupitsyn, Malevich and Film