Fall 2002, Vol. 61, No. 3

In This Issue

Janet A. Kaplan, 3

Artist’s Project

Ben Katchor, Hotel & Farm, 4


Fall 2002

Janet A. Kaplan, Johanna d’Arc of Mongolia: Interview with Ulrike Ottinger, 7

Hattie Gordon, Anne Wilson’s Feast, 23

Daniel Rosenberg, One Small Step (for Nina Katchadourian), 33

Claire Pentecost, What Did You Eat and When Did You Know It?, 47

Irit Rogoff, Hit and Run—Museums and Cultural Difference, 63

Aneta Szylak, She May Not Be What She May Seem: Interview with Anneè Olofsson, 79


Daryl Chin on Sara Petty and Larry Cuba, Kinetica 3: Abstraction/Animation/ Music; Bruce Posner Unseen Cinema: Early American Avant-Garde Film, 1893–1941, Albert Kilchesty, Big as Life: An American History of 8mm Films, Amaranta Arino and Enrique Camacho, Luis Buñuel: 100 Years, It Is Dangerous to Look Inside, and Chrissie Iles with Thomas Zummer, Into the Light: The Projected Image in American Art, 1964–1977; Charlene Villaseñor Black on Karen Mary Davalos, Exhibiting Mestizaje: Mexican (American) Museums in the Diaspora;
Paul Skiff on Branden Hookway with Sanford Kwinter and Bruce Mau, Pandemonium—The Rise of Predatory Locales in the Postwar World; Janine Mileaf on David Joselit, Infinite Regress: Marcel Duchamp, 1910–1941; Ligaya Salazar on Neil Cummings and Marysia Lewandowska, The Value of Things