Winter 2002, Vol. 61, No. 4

In This Issue

Patricia C. Phillips, At This Time, 3

Features and Artists’ Projects

Winter 2002

Kevin Chua, Simryn Gill and Migration’s Capital, 4

Alix Ohlin, Andreas Gursky and the Contemporary Sublime, 22

Martin Gantman, See you when we get home, 36

John Di Stefano, Moving Images of Home, 38

Uros Cvoro, The Present Body, the Absent Body, and the Formless, 54

Helen Molesworth, Tune In, Turn On, Drop Out: The Rejection of Lee Lozano, 64

Martin Ries, André Masson: Surrealism and His Discontents, 74

Devorah Sperberv, Seeing Things, 86


Jennifer Marshall on Theresa Leininger-Miller, New Negro Artists in Paris: African American Painters and Sculptors in the City of Light, 1922–1934; Timothy S. McElreavy on Alexander Alberro and Blake Stimson, eds., Conceptual Art: A Critical Anthology; Juli Carson on Nicholas Baume, ed., Sol LeWitt: Incomplete Open Cubes; >Andrés Mario Zervigón on Janet Ward, Weimar Surfaces: Urban Visual Culture in 1920s Germany;Graham Bader on Susan Buck-Morss, Dreamworld and Catastrophe: The Passing of Mass Utopia in East and West