Posts Tagged: 1998

Art Journal Winter 1998

Winter 1998, Vol. 57, No. 4

Features Vera Frenkel with Dot Tuer and Clive Robertson, The Story Is Always Partial: A Conversation with Vera Frenkel, 2 Michael Brenson, The Curator’s Moment, 16 Mónica Amor, Okwui Enwezor, Gao Minglu, Oscar Ho, Kobena Mercer, Irit Rogoff, Liminalities: Discussions

Art Journal Winter 1998

Winter 1998, Vol. 57, No. 4

Features Vera Frenkel with Dot Tuer and Clive Robertson, The Story Is Always Partial: A Conversation with Vera Frenkel, 2 Michael Brenson, The Curator’s Moment, 16 Mónica Amor, Okwui Enwezor, Gao Minglu, Oscar Ho, Kobena Mercer, Irit Rogoff, Liminalities: Discussions

aj_fall1998

Fall 1998, Vol. 57, No. 3

Race and Visual Representation Guest edited by James Smalls and Judith Wilson; portfolio selected by Kenseth Armstead James Smalls, Visualizing Race: A Lifelong Process and Training, 2 Kenseth Armstead, Surface Tensions, 4 Eduardo de Jesús Douglas, The Colonial Self: Homosexuality

aj_fall1998

Fall 1998, Vol. 57, No. 3

Race and Visual Representation Guest edited by James Smalls and Judith Wilson; portfolio selected by Kenseth Armstead James Smalls, Visualizing Race: A Lifelong Process and Training, 2 Kenseth Armstead, Surface Tensions, 4 Eduardo de Jesús Douglas, The Colonial Self: Homosexuality

aj_summer1998

Summer 1998, Vol. 57, No. 2

From the Editorial Board, 2 Conversation Janet A. Kaplan, The Quiet in the Land: Everyday Life, Contemporary Art, and the Shakers: A Conversation with Janet A. Kaplan, 5 Features Doug Ashford, The Exhibition as an Artistic Medium, 28 Christina Hill’s

aj_summer1998

Summer 1998, Vol. 57, No. 2

From the Editorial Board, 2 Conversation Janet A. Kaplan, The Quiet in the Land: Everyday Life, Contemporary Art, and the Shakers: A Conversation with Janet A. Kaplan, 5 Features Doug Ashford, The Exhibition as an Artistic Medium, 28 Christina Hill’s

aj_spring1998

Spring 1998, Vol. 57, No. 1

The Reception of Christian Devotional Art Editor’s Statement Pamela M. Jones, The Reception of Christian Devotional Art: The Renaissance to the Present, 2 Articles Roger J. Crum, Facing the Closed Doors to Reception? Speculations on Foreign Exchange, Liturgical Difference, and

aj_spring1998

Spring 1998, Vol. 57, No. 1

The Reception of Christian Devotional Art Editor’s Statement Pamela M. Jones, The Reception of Christian Devotional Art: The Renaissance to the Present, 2 Articles Roger J. Crum, Facing the Closed Doors to Reception? Speculations on Foreign Exchange, Liturgical Difference, and