Anneka Lenssen reviews two recent books on photography in Lebanon

In the predigital era, an experiment in community-based virtual network building is launched in Los Angeles. Philip Glahn and Cary Levine uncover the activist collective Mobile Image’s project of 1984, Electronic Café

Edith A. G. Wolfe on two recent studies of “discrepant modernities” in Latin America

María Laura Rosa on how Alicia D’Amico’s images of female desire reflect “dissident and destabilizing identities in the heteronormative visual imaginary” (in English and Spanish)

Duygu Demir reviews The Political Aesthetics of the Armenian Avant-Garde: The Journey of the “Painterly-Real,” 1987–2004

Sophia Powers reviews the 2018 exhibition India/Contemporary Photographic and New Media Art, and its accompanying catalogue by the same name

Stephanie Sparling Williams reviews Uri McMillan’s Embodied Avatars: Genealogies of Black Feminist Art and Performance, and Malik Gaines’s Black Performance on the Outskirts of the Left: A History of the Impossible

Gail Hastings executes a close formal reading of Donald Judd’s sculpture Untitled (DSS 33), as well as the “unity that Judd’s space champions in us”

Dominic Johnson reviews Long Suffering: American Endurance Art as Prophetic Witness by Karen Gonzalez Rice