Skip to content

Art Journal Open

  • Content Categories
    • Contemporary Projects
    • Texts + Documents
    • Conversations
    • Pedagogies
    • From Art Journal
  • About
  • CAA Publications
    • The Art Bulletin
    • Art Journal
    • Art Journal Open
    • caa.reviews
Thumbnail of an iframe that links out to a dynamic digital project by Jeremiah Barber. Primary image is a full-color collage of the Transamerica Building in San Francisco entwined / taken over by a termite mound, with a mouse cursor hovering over it, revealing a pop-up video of two fingers pressing a lever.

Feral Intimacies, Part II—our homes are inedible

What we can learn from termites on surviving hostile conditions

By Jeremiah Barber, Curated by Thea Quiray Tagle on July 19th, 2021 in Contemporary Projects artandthenovelcoronavirus, environmentalism, FeralIntimacies, interactiveart, JeremiahBarber, videoart
Detail of a sticker sheet featuring various images to be posted around one's institution, including the following: A trophy that reads "#1 Racist," a heart reading "yuck.," a banner that reads "White Fragility," a banner that reads "Cultural Appropriation," and an image of an eye with crystal tears that reads "YT Tears."

How Internalized White Supremacy Manifests for My BIPOC Students in Art School

Fighting microaggressions in the classroom

By Aram Han Sifuentes on July 8th, 2021 in From Art Journal AramHanSifuentes, arthistorypedagogy, CallOutYourInstitutions, PWIs
Cover of the book "Drawing from Life: Sketching and Socialist Realism in the People's Republic of China" by Christine I. Ho. The background shows a painting of red cliffs with a red-roofed houe perched atop, along with black-and-white trees and Chinese characters.

Red Windows on the World

Jennifer Dorothy Lee reviews Drawing from Life by Christine I. Ho

By Jennifer Dorothy Lee on July 8th, 2021 in From Art Journal chineseart, ChristineIHo, JenniferDorothyLee, massarts
Screenshot from animated GIF of black-and-white photos of beaver boxes being parachuted in and various beaver-related headlines over collage of dark, starry night sky and tree-covered hills in background. Small inset film shows some cows surrounding a beaver.

Feral Intimacies, Part I—Super Furs for the Super Futures 77: Beavereavement

An animated zine on inspiration, grief…and parachuting beavers

By Super Futures Haunt Qollective, Curated by Thea Quiray Tagle on June 25th, 2021 in Contemporary Projects Beavereavement, FeralIntimacies, SFHQ, zines
Color photograph with a frontal view of an abstract ceramic portrait head that appears to be made from a long coil of clay. The outline of two eyes, a nose, a mouth, and two ears are affixed to its surface. The object is a monochromatic black with a slight sheen to the glaze.

The Weight of Matter: Ebitenyefa Baralaye and Glenn Adamson in Conversation

How the materiality of clay mirrors the body

By Ebitenyefa Baralaye and Glenn Adamson on May 20th, 2021 in Contemporary Projects, Conversations craftmatters, ebitenyefabaralaye, glennadamson, portraiture, sculpture
Color photographs of the four roundtable participants. At top left, Damon Reaves; at top right, Gabriela Martinez; at bottom left, Dalila Scruggs; at bottom right, Key Jo Lee.

Holding Space: A Roundtable Conversation on Trauma and Teaching in the Museum

Four museum educators on creating safe spaces for communities

By Jenevieve DeLosSantos and Kathleen Pierce with Key Jo Lee, Gabriela Martínez, Damon Reaves, and Dalila Scruggs on April 22nd, 2021 in Pedagogies arthistorypedagogy, hardlessons, museums, teachingwithempathy, traumainformedpedagogy
Cover of Ina Blom's book Think Tanks Aesthetics: Midcentury Modernism, the Cold War, and the Neoliberal Present. Shows what appears to be a black inkblot under the title.

Ambient Think Tanks

Ina Blom reviews Pamela M. Lee’s book on the aesthetics of a political institution

By Ina Blom on April 8th, 2021 in From Art Journal coldwarart, InaBlom, PamelaMLee, politicalsensibility, politicsandaesthetics, thinktankaesthetics
Close-up shot of a man lying on the grass with his eyes closed and his mouth open in a smile

Interview with Texas Isaiah

“don’t kill this vibe”: Navigating vulnerability, visibility, and privacy in photography

By Makeda Best on April 8th, 2021 in From Art Journal MakedaBest, photography, politicsofvisibility, TexasIsaiah, visualnarrator
Color photograph of two hands holding an interactive sculpture made of folded paper in the shape of a child's 'fortune teller' game.

Hide and Seek

Folk tradition meets revisionist storytelling in Jenny Yurshansky’s printable sculpture

By Jenny Yurshansky on March 25th, 2021 in Contemporary Projects artandimmigration, artandnationalism, interactiveart, printouts

A Conversation with Mays Imad: Trauma-Informed Pedagogy and the Art History Classroom

The neuroscience of teaching in a time of crisis

By Jenevieve DeLosSantos with Mays Imad on March 11th, 2021 in Pedagogies arthistorypedagogy, hardlessons, teachingwithempathy, traumainformedpedagogy
A Fred Eversley sculpture in the form of a green concave lens.

The Object and You: Fred Eversley in Conversation with Jenny Dally

Fred Eversley traces his prolific career from scientific engineer to Light and Space sculptor

By Jenny Dally with Fred Eversley on February 25th, 2021 in Conversations artandscience, fredeversley, lightandspace, sculpture
Color photograph of forty clay pots arranged in a circle. A woman dressed in black sits in the middle of the circle. In her left hand, she holds a broken clay pot.

Going Backward to Move Forward: Karen Tei Yamashita in Conversation with Boreth Ly on Traces of Trauma

Two scholars discuss the place of personal history in the field

By Karen Tei Yamashita and Boreth Ly on February 11th, 2021 in Conversations artandpolitics, borethly, karenteiyamashita, khmerart, tracesoftrauma

Posts navigation

Older posts
Newer posts

50 Broadway, 21st Floor, New York, NY 10004
T: 212-691-1051
info@collegeart.org
CAA Advancing Art & Design
Copyright © 2024 College Art Association

Proudly powered by WordPress
Theme: Rebalance by WordPress.com.