Winter 2006, Vol. 65, No. 4

In This Issue

Patricia C. Phillips, On Locations, 5


Winter 2006

Simone Osthoff, Elsewhere in Contemporary Art: Topologies of Artists’ Works, Writings, and Archives, 6

Marquard Smith, Journeys, Documenting, Indexing, Archives, and Practice-Based Research: A Conversation with susan pui san lok, 18

Forum: Publishing Paradigms in Art History

Catherine M. Soussloff, Publishing Paradigms in Art History, 36

Michael Ann Holly, Mark ledbury, Douglas Armato, Susan Bielstein, Andrew Brown, Roger Conover, Vivian Constantinopoulos, Stephanie Fay, Herman Pabbruwe, Catherine M. Soussloff, and Ken Wissoker, Art History and Its Publishers, 41

Murtha Baca and William Tronzo, Art History and the Digital World, 51


David Clarke, The Watery Turn in Contemporary Chinese Art, 56

Carol Becker, Gandhi’s Body and Further Representations of War and Peace, 78

Susan Lacy and Pilar Riano-Alcala, Medellin, Colombia: Reinhabiting Memory, 96

Garth James, Thoughts on Graduate Studio Education, 113


FRANCES K. POHL on ed. Alejandro Anreus, Diana L. Linden, Johnathan Weinberg, The Social and the Real: Political Art of the 1930s in Western Hemisphere; MICHELE HUNTINGFORD CRAIG on Elizabeth Harney, In Senghor’s Shadow: Art, politics, and the Avant-Garde in Senegal, 1960–1995; and AMY LYFORD on Masayo Duus, The Life of Isamu Noguchi: Journey without Borders