Spring 2005, Vol. 64, No. 1

In This Issue

Patricia C. Phillips, Art of Attention, 3


Features

Spring 2005

Steven Nelson, Transgressive Transcendence in the Photographs of Rotimi Fani-Kayode, 4

Elizabeth Mansfield, The New Iconoclasm, 20

Richard Meyer, Slasher Story, 32

Daniel Joseph Martinez and David Levi Strauss, After the End: Strategies of Resistance, 42

Artist Project: William Pope.L, The Looking for Miss Black Factory Contest, 50

Thematic Investigation: Norman L. Kleeblatt, Identity Roller Coaster, 61

Johanne Lamoureux, From Form to Platform: The Politics of Representation and the Representations of Politics 64

Elisabeth Sussman, Then and Now: Whitney Biennial 1993, 74

Sylvester Okwunodu Ogbechie, Ordering the Universe: Documenta II and the Apotheosis of the Occidental Gaze, 80

Reesa Greenberg, Identity Exhibitions: From Magiciens de la terre to Documenta II, 90

Trebor Scholz, New-Media Art Education and Its Discontents, 95


Reviews

Robert Slifkin on Pamela M. Lee, Chronophobia: On Time in the Art of the 1960s, >Brian Curtin on Steven Pettifor, Flavours: Thai Contemporary Art, >Jorge Daniel Veneciano on Only Skin Deep: Changing Visions of the American Self, ed. Coco Fusco and Brian Wallis, Kim S. Theriault on Hayden Herrera, Arshile Gorky: His Life and Work