By Lauren O’Neill-Butler
“HISTORY DRAGS.” Of the many shrewd observations and witticisms that Lee Lozano (1930–1999) recorded in her notebooks, this one strikes deepest when considering the revival of interest in her work. Of course, we’ll never know her opinion on the widespread, international attention that has been lavished on her art and life over the last decade.
This is the second essay the College Art Association has published entitled “Art Journal at Fifty.” The first, by CAA…
To complement Howard Singerman’s comprehensive and insightful overview of Art Journal’s rather eccentric history, we’ve asked the editorial board and a few friends to pick their favorite articles, essays, reviews, and artists’ projects from issues past. Some feature familiar names attached to much-cited touchstones, while others, we hope, will come as a surprise.
Features Vera Frenkel with Dot Tuer and Clive Robertson, The Story Is Always Partial: A Conversation with Vera Frenkel, 2…
Race and Visual Representation Guest edited by James Smalls and Judith Wilson; portfolio selected by Kenseth Armstead James Smalls, Visualizing…
From the Editorial Board, 2 Conversation Janet A. Kaplan, The Quiet in the Land: Everyday Life, Contemporary Art, and the…
The Reception of Christian Devotional Art Editor’s Statement Pamela M. Jones, The Reception of Christian Devotional Art: The Renaissance to…
In This Issue Janet A. Kaplan, 3 Responses Vasif Kortun and Judith Mastai, 4 Benefit Print Maura Reilly, Notes on…
In This Issue Janet A. Kaplan, On Translation, 3 Responses Patricia Phillips and Maxine Payne Caulfield, 4 Contemporary Indian Art…
In This Issue John Alan Farmer, 3 Responses Russell Ferguson and Naomi Sawelson-Gorse, 4 Features Janet A. Kaplan, Deeper and…
Rethinking Studio Art Education Guest edited by Pamela Wye Program-Wide Initiatives Kate Morrison Catterall and Helen Maria Nugent, W.A.R.P.: A…
In This Issue Janet A. Kaplan, 3 Responses Bradley Rubenstein, 4 Network Society Gregg Bordowitz, 5 Features Crossing Boundaries in…
