By Karen L. Schiff

In the early 1990s I saw a conference presentation about Agnes Martin’s grid paintings, and their rigor and sensitivity was imprinted on me: I felt motivated to return to making art. When Martin (1912–2004) passed away, I started making artworks to reflect on her work and life, often through printed texts.

By Young Jean Lee

The panel discussion in this video took place at the Brooklyn Museum’s Elizabeth A. Sackler Center for Feminist Art on March 11, 2012. I put the public presentation together after receiving numerous e-mails from young female theater-makers who wanted advice on how to get their work produced.

By Lee Anne Schmitt

I finished the film California Company Town in 2008. The film was a way of looking at the fallibility of history, to be able to depict a process of political thought against the markings it makes on landscape. Most of my work combines official and anecdotal histories.

By Amy Granat

The digital form still feels new to me, and slightly intangible when I use it. Nevertheless, I use it constantly—though its workings remain unclear. That confusion can be liberating. It creates layers and dimensions I don’t understand and cannot visualize. If I try, I see free-floating motion with no hard edges.

By Lynn Hershman Leeson

I was a graduate student in Berkeley, California, during the tumultuous 1960s era of the Free Speech Movement. I felt an urgency to capture that moment, so, with a borrowed camera, I shot some of the people who were coming through my living room. Even though they included well-known people such as Timothy Leary, Allen Ginsberg, Jerry Rubin, and Phil Ochs, I concentrated on the stories of the yet-unknown women who were struggling to become artists.

By Paul Chan

On the occasion of the upcoming release of the multimedia e-book version of Waiting for Godot in New Orleans: A field Guide (co-published by Badlands Unlimited and Creative Time Books), Paul Chan writes about some of the secrets hidden in plain sight within the maps and notes that make up the documentation of this multi-faceted work.