Posts Tagged: Spring

Spring 2013, Vol. 72, No.1

Editor’s Note Lane Relyea, 5 Features Peggy Wang, Art Critics as Middlemen: Navigating State and Market in Contemporary Chinese Art, 1980s–1990s, 6 Michael Jay McClure, If It Need Be Termed Surrender: Trisha Donnelly’s Subjunctive Case, 20 Artist’s Project Moyra Davey,

Spring 2013, Vol. 72, No.1

Editor’s Note Lane Relyea, 5 Features Peggy Wang, Art Critics as Middlemen: Navigating State and Market in Contemporary Chinese Art, 1980s–1990s, 6 Michael Jay McClure, If It Need Be Termed Surrender: Trisha Donnelly’s Subjunctive Case, 20 Artist’s Project Moyra Davey,

Spring 2012

Spring 2012, Vol. 71, No. 1

In This Issue Katy Siegel, Art, History, and Criticicsm, 5 Artist’s Project Allen Ruppersberg, PST: Before and After Features Andrew Perchuk, Thomas Crow, and Howard Singerman, Pacific Standard Time: A Preliminary Conversation, 8 Connie Butler, This is Art–These People Are

Spring 2012

Spring 2012, Vol. 71, No. 1

In This Issue Katy Siegel, Art, History, and Criticicsm, 5 Artist’s Project Allen Ruppersberg, PST: Before and After Features Andrew Perchuk, Thomas Crow, and Howard Singerman, Pacific Standard Time: A Preliminary Conversation, 8 Connie Butler, This is Art–These People Are

Art Journal Spring 20011

Spring 2011, Vol. 70, No. 1

In This Issue Katy Siegel, Race to the Finish, 5 Artist’s Project Paul Sietsema, covers Centennial Essay Richard Shiff, Every Shiny Object Wants an Infant Who Will Love It, 6 Features Saloni Mathur, Charles and Ray Eames in India, 34

Art Journal Spring 20011

Spring 2011, Vol. 70, No. 1

In This Issue Katy Siegel, Race to the Finish, 5 Artist’s Project Paul Sietsema, covers Centennial Essay Richard Shiff, Every Shiny Object Wants an Infant Who Will Love It, 6 Features Saloni Mathur, Charles and Ray Eames in India, 34

aj_spring1998

Spring 1998, Vol. 57, No. 1

The Reception of Christian Devotional Art Editor’s Statement Pamela M. Jones, The Reception of Christian Devotional Art: The Renaissance to the Present, 2 Articles Roger J. Crum, Facing the Closed Doors to Reception? Speculations on Foreign Exchange, Liturgical Difference, and

aj_spring1998

Spring 1998, Vol. 57, No. 1

The Reception of Christian Devotional Art Editor’s Statement Pamela M. Jones, The Reception of Christian Devotional Art: The Renaissance to the Present, 2 Articles Roger J. Crum, Facing the Closed Doors to Reception? Speculations on Foreign Exchange, Liturgical Difference, and

aj_spring1999

Spring 1999, Vol. 58, No. 1

Rethinking Studio Art Education Guest edited by Pamela Wye Program-Wide Initiatives Kate Morrison Catterall and Helen Maria Nugent, W.A.R.P.: A Radical Solution to Teaching Foundations, 4 Carol Becker, The Art of Crossing the Street, 10 G. Roy Levin, Art Education

aj_spring1999

Spring 1999, Vol. 58, No. 1

Rethinking Studio Art Education Guest edited by Pamela Wye Program-Wide Initiatives Kate Morrison Catterall and Helen Maria Nugent, W.A.R.P.: A Radical Solution to Teaching Foundations, 4 Carol Becker, The Art of Crossing the Street, 10 G. Roy Levin, Art Education

aj_spring2000

Spring 2000, Vol. 59, No. 1

In This Issue John Alan Farmer, 3 Features Valerie Cassel, France Morin, Apinan Poshyandanda, Mari Carmen Ramírez, Caroline Turner, Igor Zabel, Beyond Boundaries: Rethinking Contemporary Art Exhibitions, 4 John Alan Farmer, The Experimental Exercise of Freedom: A Conversation with Rina

aj_spring2000

Spring 2000, Vol. 59, No. 1

In This Issue John Alan Farmer, 3 Features Valerie Cassel, France Morin, Apinan Poshyandanda, Mari Carmen Ramírez, Caroline Turner, Igor Zabel, Beyond Boundaries: Rethinking Contemporary Art Exhibitions, 4 John Alan Farmer, The Experimental Exercise of Freedom: A Conversation with Rina

aj_spring2001

Spring 2001, Vol. 60, No. 1

In This Issue Janet A. Kaplan and John Alan Farmer, 3 Artist’s Project Ellen Rothenberg, Restless Mobility, 4 Responses Ellen K. Levy, 6 Network Society Gregg Bordowitz, 10 Features Jens Liebchen, Power Station for Art vs. Art for Power Station,

aj_spring2001

Spring 2001, Vol. 60, No. 1

In This Issue Janet A. Kaplan and John Alan Farmer, 3 Artist’s Project Ellen Rothenberg, Restless Mobility, 4 Responses Ellen K. Levy, 6 Network Society Gregg Bordowitz, 10 Features Jens Liebchen, Power Station for Art vs. Art for Power Station,

aj_spring2002

Spring 2002, Vol. 61, No. 1

In This Issue Janet A. Kaplan, 3 Features Rainer Usselmann, 18. Oktober 1977: Gerhard Richter’s Work of Mourning and Its New Audience, 4 Betti-Sue Hertz, Meltdown! What Is Left Over by Carlos Andrade and Todd Ayoung, 26 Catherine Lord, From

aj_spring2002

Spring 2002, Vol. 61, No. 1

In This Issue Janet A. Kaplan, 3 Features Rainer Usselmann, 18. Oktober 1977: Gerhard Richter’s Work of Mourning and Its New Audience, 4 Betti-Sue Hertz, Meltdown! What Is Left Over by Carlos Andrade and Todd Ayoung, 26 Catherine Lord, From

aj_spring2003

Spring 2003, Vol. 62, No. 1

In This Issue Patricia C. Phillips, In This Issue: Reflections, 3 Thematic Investigation Simon Leung, … and there I am: Andy Warhol and the Ethics of Identification, 4 Marc Siegel, Doing It for Andy, 6 Taro Nettleton, White-on-White: The Overbearing

aj_spring2003

Spring 2003, Vol. 62, No. 1

In This Issue Patricia C. Phillips, In This Issue: Reflections, 3 Thematic Investigation Simon Leung, … and there I am: Andy Warhol and the Ethics of Identification, 4 Marc Siegel, Doing It for Andy, 6 Taro Nettleton, White-on-White: The Overbearing

aj_spring2004

Spring 2004, Vol. 63, No. 1

In This Issue Patricia C. Phillips, Aesthetic Practices, 3 Features Janine Mileaf, Between You and Me: Man Ray’s “Object to be Destroyed”, 4 Jordana Mendelson, Joan Miró’s “Drawing-Collage,” August 8, 1933: The “Intellectual Obscenities” of Postcards, 24 Project Nato Thompson,

aj_spring2004

Spring 2004, Vol. 63, No. 1

In This Issue Patricia C. Phillips, Aesthetic Practices, 3 Features Janine Mileaf, Between You and Me: Man Ray’s “Object to be Destroyed”, 4 Jordana Mendelson, Joan Miró’s “Drawing-Collage,” August 8, 1933: The “Intellectual Obscenities” of Postcards, 24 Project Nato Thompson,

aj_spring2005

Spring 2005, Vol. 64, No. 1

In This Issue Patricia C. Phillips, Art of Attention, 3 Features Steven Nelson, Transgressive Transcendence in the Photographs of Rotimi Fani-Kayode, 4 Elizabeth Mansfield, The New Iconoclasm, 20 Richard Meyer, Slasher Story, 32 Daniel Joseph Martinez and David Levi Strauss,

aj_spring2005

Spring 2005, Vol. 64, No. 1

In This Issue Patricia C. Phillips, Art of Attention, 3 Features Steven Nelson, Transgressive Transcendence in the Photographs of Rotimi Fani-Kayode, 4 Elizabeth Mansfield, The New Iconoclasm, 20 Richard Meyer, Slasher Story, 32 Daniel Joseph Martinez and David Levi Strauss,

aj_spring2006

Spring 2006, Vol. 65, No. 1

In This Issue Patricia C. Phillips, Positionings, 5 Features David Raskin, The Shiny Illusionism of Krauss and Judd, 6 Derek Conrad Murray and Soraya Murray, Uneasy Bedfellows: Canonical Art Theory and the Politics of Identity, 22 Artists’ Project Helaine Posner,

aj_spring2006

Spring 2006, Vol. 65, No. 1

In This Issue Patricia C. Phillips, Positionings, 5 Features David Raskin, The Shiny Illusionism of Krauss and Judd, 6 Derek Conrad Murray and Soraya Murray, Uneasy Bedfellows: Canonical Art Theory and the Politics of Identity, 22 Artists’ Project Helaine Posner,

aj_spring2009

Spring 2009, Vol. 68, No. 1

In This Issue Judith F. Rodenbeck, Retooling, 5 Features Joanna Grabski, Urban Claims and Visual Sources in the Making of Dakar’s Art World City, 6 Gail Gelburd, Cuba and the Art of “Trading with the Enemy”, 24 Susette S. Min,

aj_spring2009

Spring 2009, Vol. 68, No. 1

In This Issue Judith F. Rodenbeck, Retooling, 5 Features Joanna Grabski, Urban Claims and Visual Sources in the Making of Dakar’s Art World City, 6 Gail Gelburd, Cuba and the Art of “Trading with the Enemy”, 24 Susette S. Min,

aj_spring2007

Spring 2007, Vol. 66, No. 1

In This Issue Patricia C. Phillips, The Exquisite and Urgent Importance of Art, 5 Features Matthew Gehring, Words of Art, 8 Rachel Weiss, Visions, Valves, and Vestiges: The Curdled Victories of the Bienal de La Habana, 10 Robert Blackson, Once

aj_spring2007

Spring 2007, Vol. 66, No. 1

In This Issue Patricia C. Phillips, The Exquisite and Urgent Importance of Art, 5 Features Matthew Gehring, Words of Art, 8 Rachel Weiss, Visions, Valves, and Vestiges: The Curdled Victories of the Bienal de La Habana, 10 Robert Blackson, Once

aj_springsummer2010

Spring—Summer 2010, Vol. 69, No. 1—2

In This Issue Katy Siegel, Love Unbound by Time, 5 Features Kerry James Marshall, On the Stroll, Inside Covers Hannah B Higgins, Love’s Labor’s Lost and Found: A Meditation on Fluxus, Family, and Somethings Else. 8 P. Adams Sitney, Kate

aj_springsummer2010

Spring—Summer 2010, Vol. 69, No. 1—2

In This Issue Katy Siegel, Love Unbound by Time, 5 Features Kerry James Marshall, On the Stroll, Inside Covers Hannah B Higgins, Love’s Labor’s Lost and Found: A Meditation on Fluxus, Family, and Somethings Else. 8 P. Adams Sitney, Kate

Art Journal Spring 2008

Spring 2008, Vol. 67, No. 1

In This Issue Judith F. Rodenbeck, The Science of the Concrete, 5 Artist’s Project Lane Relyea, Debris and Immobility, 6 Heather Mekkelson, Debris Field, 9 Forum: Assemblage and Bricolage Julia Kelly, The Anthropology of Assemblage, 24 Anna Dezeuze, Assemblage, Bricolage,

Art Journal Spring 2008

Spring 2008, Vol. 67, No. 1

In This Issue Judith F. Rodenbeck, The Science of the Concrete, 5 Artist’s Project Lane Relyea, Debris and Immobility, 6 Heather Mekkelson, Debris Field, 9 Forum: Assemblage and Bricolage Julia Kelly, The Anthropology of Assemblage, 24 Anna Dezeuze, Assemblage, Bricolage,