Investigating the gender-transgressing work of Claude Cahun and Marcel Moore
Category: Uncategorized
Sensing, Sensitizing, and Speculating: The Work of Artworks in the Climate Crisis Era
Nicole Seymour reviews a new volume on art in the time of climate change
Peripatetic in the Pandemic
Taking an intercontinental sound walk through the pandemic
Warriors and Volunteers: A Review of George W. Bush, Portraits of Courage
In a new essay, Melissa Warak reviews Portraits of Courage: A Commander in Chief’s Tribute to America’s Warriors, an exhibition of the paintings of George W. Bush
Decentering Land Art from the Borderlands: A Review of Through the Repellent Fence
The 2017 film Through the Repellent Fence looks at Postcommodity’s practice and its relation to and divergences from Land art traditions. Emily Eliza Scott explores the film and the role of art along the US-Mexico border
Warm, Wet, Cold, Dry: Conceptual Art in Britain 1964–1979
By Charissa Terranova
Charissa Terranova discusses the exhibition and catalogue, Conceptual Art in Britain 1964–1979, which was on view at the Tate Britain from April 12–August 29, 2016
Between Negative Dialectics and Biological Aesthesis
By Charissa Terranova
Charissa Terranova reviews Wetware: Art, Agency, Animation, which was on view at the Beall Center for Art + Technology, University of California, Irvine, from February 6–May 7, 2016.
Introducing a Three-Part Project by Natilee Harren, Karl Haendel, and Nate Harrison
By Gloria Sutton
Art Journal Open is pleased to present a three-part, three-author project by Natilee Harren, Karl Haendel, and Nate Harrison.