Posts Tagged: summer

Summer 2013, Vol. 72, No. 2

Features Alexandra M. Kokoli, The Voice as Uncanny Index in Susan Hiller’s The Last Silent Movie, 6 Kristen Olds, “Gay Life Artists”: Les Petites Bonbons and Camp Performativity in the 1970s, 16 Forum: Conversations on Queer Affect and Queer Archives

Summer 2013, Vol. 72, No. 2

Features Alexandra M. Kokoli, The Voice as Uncanny Index in Susan Hiller’s The Last Silent Movie, 6 Kristen Olds, “Gay Life Artists”: Les Petites Bonbons and Camp Performativity in the 1970s, 16 Forum: Conversations on Queer Affect and Queer Archives

Veronica Friedman, Pages from monthly planners, 1980 and 1981. Veronica Friedman Papers, Gay, Lesbian, Bisexual, Transgender Historical Society, San Francisco (photograph © Barbara McBane).

Summer 2013, Vol. 72, No. 2

Features Alexandra M. Kokoli, The Voice as Uncanny Index in Susan Hiller’s The Last Silent Movie, 6 Kirsten Olds, “Gay Life Artists”: Les Petites Bonbons and Camp Performativity in the 1970s, 16 Forum: Conversations on Queer Affect and Queer Archives

Veronica Friedman, Pages from monthly planners, 1980 and 1981. Veronica Friedman Papers, Gay, Lesbian, Bisexual, Transgender Historical Society, San Francisco (photograph © Barbara McBane).

Summer 2013, Vol. 72, No. 2

Features Alexandra M. Kokoli, The Voice as Uncanny Index in Susan Hiller’s The Last Silent Movie, 6 Kirsten Olds, “Gay Life Artists”: Les Petites Bonbons and Camp Performativity in the 1970s, 16 Forum: Conversations on Queer Affect and Queer Archives

AJSummer2012

Summer 2012, Vol. 71, No. 2

In This Issue Katy Siegel, What are you working on?, 5 Artist’s Project Lorraine O’Grady, This Will Have Been: My 1980s, 6 Features Kate Mondloch, The Difference Problem: Art History and the Critical Legacy of 1980s Theoretical Feminism, 18 Alex

AJSummer2012

Summer 2012, Vol. 71, No. 2

In This Issue Katy Siegel, What are you working on?, 5 Artist’s Project Lorraine O’Grady, This Will Have Been: My 1980s, 6 Features Kate Mondloch, The Difference Problem: Art History and the Critical Legacy of 1980s Theoretical Feminism, 18 Alex

Art Journal Summer 2011

Summer 2011, Vol. 70, No. 2

In This Issue Katy Siegel, Making Time, 5 Centennial Essay Nora A. Taylor, Art without History? Southeast Asian Artists and Their Communities in the Face of Geography, 6 Free Time Joe Scanlan  Free Time: An Introduction, 24 Dexter Sinister, A Note

Art Journal Summer 2011

Summer 2011, Vol. 70, No. 2

In This Issue Katy Siegel, Making Time, 5 Centennial Essay Nora A. Taylor, Art without History? Southeast Asian Artists and Their Communities in the Face of Geography, 6 Free Time Joe Scanlan  Free Time: An Introduction, 24 Dexter Sinister, A Note

aj_summer1998

Summer 1998, Vol. 57, No. 2

From the Editorial Board, 2 Conversation Janet A. Kaplan, The Quiet in the Land: Everyday Life, Contemporary Art, and the Shakers: A Conversation with Janet A. Kaplan, 5 Features Doug Ashford, The Exhibition as an Artistic Medium, 28 Christina Hill’s

aj_summer1998

Summer 1998, Vol. 57, No. 2

From the Editorial Board, 2 Conversation Janet A. Kaplan, The Quiet in the Land: Everyday Life, Contemporary Art, and the Shakers: A Conversation with Janet A. Kaplan, 5 Features Doug Ashford, The Exhibition as an Artistic Medium, 28 Christina Hill’s

aj_summer1999

Summer 1999, Vol. 58, No. 2

In This Issue John Alan Farmer, 3 Responses Russell Ferguson and Naomi Sawelson-Gorse, 4 Features Janet A. Kaplan, Deeper and Deeper: Interview with Marina Abramovic, 6 Carol Becker, The Romance of Nomadism: A Series of Reflections, 22 Olu Oguibe, Finding

aj_summer1999

Summer 1999, Vol. 58, No. 2

In This Issue John Alan Farmer, 3 Responses Russell Ferguson and Naomi Sawelson-Gorse, 4 Features Janet A. Kaplan, Deeper and Deeper: Interview with Marina Abramovic, 6 Carol Becker, The Romance of Nomadism: A Series of Reflections, 22 Olu Oguibe, Finding

aj_summer2000

Summer 2000, Vol. 59, No. 2

In This Issue Janet A. Kaplan, 3 Responses Miriam Schapiro, 4 Conversation Janet A. Kaplan with Bracken Hendricks, Geoffrey Hendricks, Hannah Higgins, Alison Knowles, Flux Generations, 6 Features Roxana Marcoci, The Anti-Historicist Approach: Brancusi, “Our Contemporary”, 18 Charles Green, Doppelgangers

aj_summer2000

Summer 2000, Vol. 59, No. 2

In This Issue Janet A. Kaplan, 3 Responses Miriam Schapiro, 4 Conversation Janet A. Kaplan with Bracken Hendricks, Geoffrey Hendricks, Hannah Higgins, Alison Knowles, Flux Generations, 6 Features Roxana Marcoci, The Anti-Historicist Approach: Brancusi, “Our Contemporary”, 18 Charles Green, Doppelgangers

aj_summer2001

Summer 2001, Vol. 60, No. 2

In This Issue John Alan Farmer Responses Caroline Arscott, 4 Network Society Gregg Bordowitz, 6 Features Connie Butler, Saskia Sassen, Gavin Hipkins, Lee Weng Choy, Allan Sekula, Flight Patterns, 9 Moira Roth, Obdurate History: Dinh Q. Lê, the Vietnam War,

aj_summer2001

Summer 2001, Vol. 60, No. 2

In This Issue John Alan Farmer Responses Caroline Arscott, 4 Network Society Gregg Bordowitz, 6 Features Connie Butler, Saskia Sassen, Gavin Hipkins, Lee Weng Choy, Allan Sekula, Flight Patterns, 9 Moira Roth, Obdurate History: Dinh Q. Lê, the Vietnam War,

aj_summer2002

Summer 2002, Vol. 61, No. 2

In This Issue Janet A. Kaplan, 3 Artist’s Project Doug Fishbone, A Giant Pile of Bananas—Can You Dig It? Features

aj_summer2002

Summer 2002, Vol. 61, No. 2

In This Issue Janet A. Kaplan, 3 Artist’s Project Doug Fishbone, A Giant Pile of Bananas—Can You Dig It? Features

aj_summer2003

Summer 2003, Vol. 62, No. 2

In This Issue Patricia C. Phillips, At Last We Can No Longer Predict the Futuer 3 Features, Interviews, Conversations Antony Hudek, Excavating the Body Politic: An Interview with Conrad Atkinson, 4 Nicholas Mirzoeff, Newpapers, with a portfolio of artists’ works

aj_summer2003

Summer 2003, Vol. 62, No. 2

In This Issue Patricia C. Phillips, At Last We Can No Longer Predict the Futuer 3 Features, Interviews, Conversations Antony Hudek, Excavating the Body Politic: An Interview with Conrad Atkinson, 4 Nicholas Mirzoeff, Newpapers, with a portfolio of artists’ works

aj_summer2004

Summer 2004, Vol. 63, No. 2

In This Issue Patricia C. Phillips, Questions of Influence: Influence of Questions, 3 Feature Derek Conrad Murray, Hip-Hop vs. High Art: Notes on Race as Spectacle, 4 Thematic Investigation, James Meyer and Toni RossAesthetic/Anti-Aesthetic: An Introduction, 20 Arthur C. Danto,

aj_summer2004

Summer 2004, Vol. 63, No. 2

In This Issue Patricia C. Phillips, Questions of Influence: Influence of Questions, 3 Feature Derek Conrad Murray, Hip-Hop vs. High Art: Notes on Race as Spectacle, 4 Thematic Investigation, James Meyer and Toni RossAesthetic/Anti-Aesthetic: An Introduction, 20 Arthur C. Danto,

aj_summer2005

Summer 2005, Vol. 64, No. 2

In This Issue Patricia C. Phillips, Questions of Seeing, 3 Features Peter Erickson, Respeaking Othello in Fred Wilson’s Speak of Me as I Am, 4 Natalie Kosoi, Nothingness Made Visible: The Case of Rothko’s Paintings, 20 Peggy Phelan, Kevin Concannon,

aj_summer2005

Summer 2005, Vol. 64, No. 2

In This Issue Patricia C. Phillips, Questions of Seeing, 3 Features Peter Erickson, Respeaking Othello in Fred Wilson’s Speak of Me as I Am, 4 Natalie Kosoi, Nothingness Made Visible: The Case of Rothko’s Paintings, 20 Peggy Phelan, Kevin Concannon,

aj_summer2006

Summer 2006, Vol. 65, No. 2

In This Issue Patricia C. Phillips, Art That Insists: Persistence with Urgency, 5 Features Perry Bard,

aj_summer2006

Summer 2006, Vol. 65, No. 2

In This Issue Patricia C. Phillips, Art That Insists: Persistence with Urgency, 5 Features Perry Bard,

aj_summer2007

Summer 2007, Vol. 66, No. 2

In This Issue Judith F. Rodenbeck, Crossing Memory’s Green Line—Contemporary Art in Beirut, 5 Features Sarah RogersOut of History: Postwar Art in Beirut, 8 Laura U. Marks, Dangerous Gifts: Lamia Joreige’s Objects of War, 21 Lamia Joreige, Objects of War,

aj_summer2007

Summer 2007, Vol. 66, No. 2

In This Issue Judith F. Rodenbeck, Crossing Memory’s Green Line—Contemporary Art in Beirut, 5 Features Sarah RogersOut of History: Postwar Art in Beirut, 8 Laura U. Marks, Dangerous Gifts: Lamia Joreige’s Objects of War, 21 Lamia Joreige, Objects of War,

aj_springsummer2010

Spring—Summer 2010, Vol. 69, No. 1—2

In This Issue Katy Siegel, Love Unbound by Time, 5 Features Kerry James Marshall, On the Stroll, Inside Covers Hannah B Higgins, Love’s Labor’s Lost and Found: A Meditation on Fluxus, Family, and Somethings Else. 8 P. Adams Sitney, Kate

aj_springsummer2010

Spring—Summer 2010, Vol. 69, No. 1—2

In This Issue Katy Siegel, Love Unbound by Time, 5 Features Kerry James Marshall, On the Stroll, Inside Covers Hannah B Higgins, Love’s Labor’s Lost and Found: A Meditation on Fluxus, Family, and Somethings Else. 8 P. Adams Sitney, Kate

aj_summer2009

Summer 2009, Vol. 68, No. 2

In This Issue Judith F. Rodenbeck, Marking, 5 Features Juliet Bellow, Fashioning Cléopâtre: Sonia Delaunay’s New Woman, 6 Nell Andrew, Living Art: Akarova and the Belgian Avant-Garde, 26 Kate Elswit, Accessing Unison in the Age of Its Mechanical Reproducibility, 50

aj_summer2009

Summer 2009, Vol. 68, No. 2

In This Issue Judith F. Rodenbeck, Marking, 5 Features Juliet Bellow, Fashioning Cléopâtre: Sonia Delaunay’s New Woman, 6 Nell Andrew, Living Art: Akarova and the Belgian Avant-Garde, 26 Kate Elswit, Accessing Unison in the Age of Its Mechanical Reproducibility, 50

Art Journal Summer 2008

Summer 2008, Vol. 67, No. 2

In This Issue Judith F. RodenbeckMaterial Experience, 5 Features Kymberly N. Pinder, Unbaled: An Interview with Shinique Smith, 6 Paula Birnbaum, Elaine Reichek: Pixels, Bytes, and Stitches, 18 Laura Leffler James, Convergence: History, Materials, and the Human Hand—An Interview with

Art Journal Summer 2008

Summer 2008, Vol. 67, No. 2

In This Issue Judith F. RodenbeckMaterial Experience, 5 Features Kymberly N. Pinder, Unbaled: An Interview with Shinique Smith, 6 Paula Birnbaum, Elaine Reichek: Pixels, Bytes, and Stitches, 18 Laura Leffler James, Convergence: History, Materials, and the Human Hand—An Interview with